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Adinkra stamps are true
ethnographic items – they are literally stamps for printing a variety of
fabric known as Adinkra. Adinkra cloth is made primarily by the
Asante/Ashante people of Ghana, in West Africa and can be traced back to
the 17th century.
The word "adinkra" means goodbye
because originally clothes adorned with Adinkra symbols were only worn
during ceremonies to honor the dead. The symbols worn on the mourner's
clothing expressed the qualities attributed to the deceased.
The Ashante people living in the modern African countries of Ghana and the
Ivory Coast, stamp Adinkra symbols on cloth. The symbols are created by
cutting a stamp out of the thick skin of a calabash gourd. The stamp is
dipped in dye, made from tree bark, and then repeatedly pressed onto cloth
to create patterns. Each of the stylized patterns has a name and meaning
based on a proverb or historical legend. The shapes of humans, animals,
plants, and objects inspired the geometric forms of the symbols. The
number of symbols continue to grow. One of the more common stamps,
for example represents both God and also stands for “Nothing is greater
than God.” Some scholars attribute up to 2,200 different designs with
individual meanings.
Today Adinkra cloth is widely worn at social occasions in Ghana and the
symbols are used to decorate objects. In modern times, they are used
worldwide for every-day wear, bridal, formal and special occasions.
Each stamp is a one-of-a-kind hand crafted piece of art. While the stamps
are beautiful, they also are functional on several levels: while they are
used as stamps to transfer dyes to fabric, each design also has a specific
meaning.

The making of adinkra cloth is a traditional art form in Ghana, West
Africa, among the Asante people. It was worn originally at funerals as a
sign of personal mourning, and almost all Asantes own at least one
hand-made Adinkra cloth for this purpose. Today Adinkra is made in
many colors used for special events, both joyous, celebratory as well as
for the traditional mourning.
To make the ink that the stamps are dipped in to, bark from the badee tree
is peeled off and soaked overnight in water. It is pounded and boiled
again in the same water. Large tins are used.
Each day the liquid is boiled in the same water for a week or more. In the
last few days an iron stone is placed in the tin drum to give the dye its
characteristic black color. When cool, the white of an egg is added to the
dyestuff to give it a glossy appearance.
Master carvers create the stamps. Calabashes or gourds (similar to
pumpkins) are harvested while still fresh and then the outer shell of the
gourd is cut into rough-sized pieces.
After a design has been decided upon, the calabash pieces are then carved
in a way as to allow for raised areas that will print as a positive.
Negative areas are cut away and a tripod of splinters are pushed into the
back of the gourd tied to the stamp as a handle.
To print the fabric, hand woven fabric is stretched taut over a level,
horizontal wooden board that is covered with a padding of burlap. The
calabash stamp is dipped into the dye then pressed onto the fabric.
Sometimes a wooden comb is used to draw borders and lines around areas.
Repeating a pattern is optional. Different stamps are often used on the
same fabric.
After printing, the fabric is allowed to dry in the sun. There are two
types of Adinkra: plain and embroidery (nwomu), where strips of fabric are
attached by handstitching, or by embroidery with bright, primary colors.
The original Adinkra cloth consisted of black glossy Adinkra designs (each
with its symbolic meanings) printed on black, red or brown cloth.
Zanzibar Trading Company’s adinkra stamps are all used, true ethnographic
items. We carefully hand select them and offer them to you as a truly
unique treasure! Use them or just display them, they will definitely be a
conversation piece!
VIEW OUR CURRENT INVENTORY OF ADINKRA STAMPS FROM
GHANA (BULK QUANTITIES AVAILABLE)
SAMPLES OF SOME ADINKRA STAMP SHAPES AND THEIR MEANINGS:
please note this is a
sampling and as there is some variation (and controversy) of actual names
and meanings of adinkra stamps from region to region within Ghana and by
various "experts" and researchers and authors (as well as over time), thus
the below stamps are for reference only. For a more detailed
description of Adinkra stamps and their meanings, we recommend the
following book:

The Adinkra Stamp book, Cloth As
Metaphor, by G.F. Kojo Arthur, catalogues over 700 Adinkra symbols and and their
variations and discussing various themes encoded in the texts of proverbs,
aphorisms and other verbal expressions related to these symbols, available
at Amazon.com
| SYMBOL |
|
SYMBOL NAME |
SYMBOL MEANING |
SYMBOL CHARACTERISTICS |
| |
 |
|
GYE NYAME
|
"except for God" |
supremacy of God |
 |
|
ADINKRAHENE
|
"chief of adinkra symbols" |
greatness, charisma,
leadership |
 |
|
AKOBEN
|
"war horn" |
vigilance, wariness |
 |
|
AKOKONAN
|
"the leg of a hen" |
mercy, nurturing |
 |
|
AKOMA
|
"the heart" |
patience & tolerance |
 |
|
AKOMA NTOSO
|
"linked hearts" |
understanding, agreement |
 |
|
ASASE YE DURU
|
"the Earth has weight" |
divinity of Mother Earth |
 |
|
BESE SAKA
|
"sack of cola nuts" |
affluence, abundance, unity |
 |
|
BI NKA BI
|
"no one should bite the
other" |
peace, harmony |
 |
|
BOA ME NA
ME MMOA WO
|
"help me and let me help you"
|
cooperation, interdependence |
 |
|
DAME-DAME
|
name of a board game |
intelligence, ingenuity |
 |
|
DENKYEM
|
"crocodile" |
adaptability |
 |
|
DUAFE
|
"wooden comb" |
beauty, hygiene, feminine
qualities |
|
 |
|
DWENNIMMEN
|
"ram's horns" |
humility and strength |
 |
|
EBAN
|
"fence" |
love, safety, security |
 |
|
EPA
|
"handcuffs" |
law, justice, slavery |
 |
|
ESE NE TEKREMA
|
"the teeth and the tongue" |
friendship, interdependence |
 |
|
FIHANKRA
|
"house/compound" |
security, safety |
|
 |
|
FOFO
|
"a yellow-flowered plant" |
jealousy, envy |
 |
|
FUNTUNFUNEFU
DENKYEMFUNEFU
|
"siamese crocodiles" |
democracy, unity in diversity |
 |
|
HWEMUDUA
|
"measuring stick" |
examination, quality control |
 |
|
HYE WONHYE
|
"that which cannot be burnt" |
imperishability, endurance |
 |
|
KETE PA
|
"good bed" |
good marriage |
 |
|
KINTINKANTAN
|
"puffed up extravagance" |
arrogance, extravagance |
 |
|
MATE MASIE
|
"what I hear, I keep" |
wisdom, knowledge, prudence |
 |
|
ME WARE WO
|
"I shall marry you"
|
commitment, perseverance
|
 |
|
MMUSUYIDEE
|
"that which removes ill luck" |
good fortune, sanctity |
 |
|
MPATAPO
|
"knot of reconciliation" |
peacemaking, reconciliation |
 |
|
NKONSONKONSON
|
"chain links" |
unity, human relations |
 |
|
NKYIMU
|
the crossed divisions made on
adinkra cloth before printing |
skillfulness, precision |
 |
|
NKYINKYIM
|
"twistings" |
initiative, dynamism,
versatility |
 |
|
NSAA
|
type of hand-woven cloth |
excellence, genuineness,
authenticity |
 |
|
NSOROMMA
|
"child of the heavens" |
guardianship |
 |
|
NYAME BIRIBI
WO SORO
|
"God is in the heavens" |
hope |
 |
|
NYAME NNWU
NA MAWU
|
"God never dies, therefore I
cannot die" |
life after death |
 |
|
NYAME NTI
|
"by God's grace" |
faith & trust in God
|
 |
|
NYANSAPO
|
"wisdom knot" |
wisdom, ingenuity,
intelligence and patience |
 |
|
ODO NNYEW
FIE KWAN
|
"love never loses its way
home" |
power of love |
 |
|
OSRAM NE NSOROMMA
|
"the moon and the star" |
love, faithfulness, harmony |
 |
|
OWO FORO ADOBE
|
"snake climbing the raffia
tree" |
steadfastness, prudence,
diligence |
 |
|
OWUO ATWEDEE
|
"the ladder of death"
|
mortality |
 |
|
SANKOFA type 1
|
"return and get it" |
learn from the past |
 |
|
SANKOFA type 2
|
"return and get it" |
learn from the past |
 |
|
SESA WORUBAN
|
"I change or transform my
life" |
transformation |
 |
|
TAMFO BEBRE
|
"the enemy will stew in his
own juice" |
jealousy |
 |
|
WO NSA DA MU A
|
"if your hands are in the
dish" |
democracy |
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